Cybersex: A Complete Listening

I have never listened to the entire Cybersex series that I produced from 1993 to 2018 until today. I was organizing my records and cooking and decided to just these play in the background. After all, it is Mixtape Monday. Listening to them was like reconnecting with a old friend. I could recognize this as me but so many years have passed that some of the connections seem foreign. I first came up with the Cybersex concept in summer of 1993. I had been DJing in the LA rave scene for a little over a year. Most of the tapes I had done previous to this one were mainly the standard techno of the day. Most of it being breakbeat techno that would soon morph into Drum N Bass and Jungle. Styles were changing and new genres were being defined. I really got into the Artificial Intelligence series that came out on Warp during that time. Albums by Autechre, Aphex Twin, Mu-Ziq and others were coming out and changing how I was listening to techno. I wouldn’t know what IDM was at the time but I was really falling for this sound. I was buying anything that I felt was different and unique but still danceable. The problem was that I didn’t know how to play these tracks out live most of the time. I would drop a Aphex Twin track here and there (Quoth was a favorite) but a lot of this was maybe to heady for the rave dance floors that I was fortunate to play on. But mixtapes were a perfect vessel for me to try these tracks out and mix them together

The original Cybersex cover art

Around September of 1993 I felt I had a good collection of this style that I could put something together. I took the Cybersex scene artwork from the movie “The Lawnmower Man” and Cybersex was born on October of 1993. I remember placing them on consignment at record stores around LA and was surprised that it was selling well. I was still a relative new DJ on the scene but I think this tape being something a bit different helped it stand out. I got a lot of positive feedback from the tape and then started thinking of number 2. Again I was getting into different music. I had discovered German Trance. Especially from labels like Harthouse/Eye Q. The first side of Cybersex 2 was a dedication to this sound. I loved the melodic take on techno. Side B was bit more like the first Cybersex mix with some Detroit techno influences. The cover was done by a new designer I was using and we trying printing it on using purple inc over some silver paper stock. The tape was purple also and I really liked the way the package came out.I put it out in April of 94. Just 6 months It outsold the first one and I was starting to get know for the trancy music I was playing at gigs.

For Cybersex 3 it was all about the packaging. The mix was more European trance, still melodic but heading more into progressive trance territory. I was always looking at ways to stand out with the production of mixtapes and for 3 I found these little silver anti-static bags that fit the tapes perfectly. I made these silver stickers tat we placed on the bag and also most of the early copies contained a condom. I remember putting these packages together. They were pretty damn cool looking if you ask me. Cybersex 4 was another change in direction in sound. I had recently got into the Goa Trance sound this was one of the first mixes I did in that style. I was actually planning on this tape to be the last Cybersex mixtape. It even says "The Last Mindfuck" right on the cover. This tape came out in the late summer of 1995. I remember this one selling well as it was pushing a different sound..A lot tracks on this came from Flying Rhino, TIP, Matsuri and other Goa/Psy labels at the time. I was pretty proud of this mix. Listening to it again right now it takes me back to that summer.

I thought I was done with the series. I was happy ending it at 4. But around 96 I started working with Ken from Pure Acid on new tapes. This was the first time I wasn’t really producing and selling direct. Ken was buying the masters directly and then handling the production (he was doing a damn good job on the design and packaging) and distribution using his popular Pure Acid Mixtapes booth and direct purchasing through the mail. He was selling tapes all over the damn place now and it was great working relationship we had made. I decided to revive the Cybersex series with tape number 5 in 1999. Again I changed directions and this tape was more focused on melodic breakbeat trance. I really enjoy this tape quite a bit. And with that the series laid dormant for almost 20 years. Then in 2018, I produced a new standalone mixtape with Pure Acid called Alien Arrival. It was the 3rd in a Pay Trance series I started in 1997. I had such a good time doing that project I wanted to do another. The 25th anniversary of the first Cybersex was coming up and I thought a new Cybersex mixtape would be fun to do. I had an idea to focus on Melodic Techno which was a thing and tie it with other elements I also was adding samples and synths into the mix to make it a bit more unique. The idea was stand alone cassette and a 6 pack with all 6 mixes. I had recently located the DAT masters for the older mixes and sent them off to be cleaned up and re-mastered.

Artwork for the single cassette version of Cybersex 25

Listening to Cybersex 25 now, almost 3 years since I recorded really puts me back in that time. In late 2018 I was having a lot of change going on and this tape reminds me of the start of a lot of transition for me personally. I was listening to this mix a lot at the time. It is honestly one of my favorite mixes that I have done. Maybe it is the emotional tie to this period of my life but there is something about this mix that I really love. Listening to them all back to back today was really nice. It really does encapsulate 25 years of musical influences for me. I mean the artist that are on these mixes are just top notch and so influential. Just to name a few we got Aphex Twin, Ken Ishii, Laurent Ganier, Joey Beltram, Orbital, Kenny Larkin, Sabres of Paradise, Juno Reactor, Plaid, Moderat, Stephan Bodzin, Total Eclipse and so many more. To me each tape has its own direction and vibe but they all come together to tell a complete story. We only made a 100 of the 6 packs. We still have a few more and if you are interested in picking one up just click here.